Content warning: this site explores grief, trauma, mental health and recovery. Some pieces may feel heavy — read gently, and step away whenever you need to. If you are in crisis, please contact your local emergency services or a helpline in your country.

Music

Time Heals All Wounds (Reflection Version)

Time Heals All Wounds (Reflection Version)

acoustic, minimalist, ballad

Resilient Witness

Resilient Witness

cinematic ambient folk-rock, post-rock

Learning My Name

Learning My Name

ambient folk, post-rock

Sitting Still

Sitting Still

ambient folk, post-rock

Still Dad

Still Dad

alternative folk, post-rock, cinematic

Help Me Move

Help Me Move

ambient folk-rock, post-rock

Loyalty Without a Home

Loyalty Without a Home

alternative folk, post-rock, dark ambient

The Man in the Mirror

The Man in the Mirror

cinematic ambient folk, post-rock

Empty Chairs

Empty Chairs

cinematic folk, ambient post-rock

Triggers

Triggers

cinematic ambient, alternative rock

Memories

Memories

ambient folk-rock, post-rock

Autopilot

Autopilot

ambient, folk-rock, cinematic

Time Heals All Wounds

Time Heals All Wounds

alternative folk, post-rock, cinematic

The First to Tell Them (John 20:17–18)

The First to Tell Them (John 20:17–18)

roots reggae, hip-hop, gospel

Blessed Is She Who Believed (Luke 1:45)

Blessed Is She Who Believed (Luke 1:45)

roots reggae, hip-hop worship, gospel

Receive Her in the Lord (Romans 16:1–2)

Receive Her in the Lord (Romans 16:1–2)

Warm communal roots reggae and reflective hip-hop worship song at 77 BPM in G minor, honoring, corrective, and uplifting. Deep rounded bass, crisp offbeat guitar chops, hand percussion, restrained liv

For Such a Time as This (Esther 4:14)

For Such a Time as This (Esther 4:14)

roots reggae, hip-hop, gospel

In the Image of God (Genesis 1:27)

In the Image of God (Genesis 1:27)

roots reggae, reflective hip-hop, gospel

She Considered the Field (Proverbs 31:16)

She Considered the Field (Proverbs 31:16)

roots reggae, hip-hop, gospel

She Opens Her Hand to the Poor (Proverbs 31:20)

She Opens Her Hand to the Poor (Proverbs 31:20)

roots reggae, hip-hop, gospel

Wisdom on Her Tongue (Proverbs 31:26)

Wisdom on Her Tongue (Proverbs 31:26)

roots reggae, hip-hop, gospel

Clothed in Strength and Dignity (Proverbs 31:25)

Clothed in Strength and Dignity (Proverbs 31:25)

reggae, hip-hop, gospel

She Rises While it is Yet Night (Proverbs 31:15)

She Rises While it is Yet Night (Proverbs 31:15)

roots reggae, hip-hop worship, gospel

The Work of Her Hands (Proverbs 31:31)

The Work of Her Hands (Proverbs 31:31)

roots reggae, hip-hop, gospel

Prescious In My Sight (Isaiah 43:4)

Prescious In My Sight (Isaiah 43:4)

roots reggae, hip-hop worship, gospel

Who Can Find Her? (Proverbs 31:10)

Who Can Find Her? (Proverbs 31:10)

roots reggae, hip-hop, gospel

The Serpent Spoke First

The Serpent Spoke First

heavy metal, dark metal, cinematic metal

She Believed It

She Believed It

heavy metal, British heavy metal, theatrical metal

Adam Believed Eve

Adam Believed Eve

heavy metal, traditional heavy metal, anthemic

Fruit from Her Hand

Fruit from Her Hand

gothic doom, dark heavy metal, death-doom

Her Feelings Became Facts

Her Feelings Became Facts

heavy metal, industrial metal, dark metal

Peace at Any Price

Peace at Any Price

heavy metal, power ballad

The Power of Withdrawal

The Power of Withdrawal

gothic heavy metal, industrial, cinematic

Everything I Told You

Everything I Told You

heavy metal, industrial metal, psychological metal

A Man Nobody Believes

A Man Nobody Believes

dark blues-metal, 90s metal

Angry Man is All They See

Angry Man is All They See

blues, heavy metal, blues-metal

My Emotions Are Her Weapons

My Emotions Are Her Weapons

groove metal, industrial metal

The Cost of Naming Her Power

The Cost of Naming Her Power

progressive heavy metal, industrial metal

I Believe My Own Eyes

I Believe My Own Eyes

heavy metal, melodic metal, 80s/90s metal

What is Man? (Psalm 8:4-6)

What is Man? (Psalm 8:4-6)

gospel, reggae, thoughtful

Strength Under Command (Proverbs 16:32)

Strength Under Command (Proverbs 16:32)

gospel, reggae

Built to Carry (Galatians 6:2)

Built to Carry (Galatians 6:2)

gospel, reggae

The Watchman (Ezekiel 33:7)

The Watchman (Ezekiel 33:7)

reggae, gospel, reggae-metal

Bread on the Table (1 Timothy 5:8)

Bread on the Table (1 Timothy 5:8)

reggae, gospel, blues

Hands That Build (Colossians 3:23)

Hands That Build (Colossians 3:23)

ballad, gospel-soul, reggae

A Quiet Sacrifice (John 15:13)

A Quiet Sacrifice (John 15:13)

gospel-reggae, gospel

Tender Is Not Weak (Colossians 3:12)

Tender Is Not Weak (Colossians 3:12)

gospel-reggae, rap

Teach the Boy to Stand (Proverbs 22:6)

Teach the Boy to Stand (Proverbs 22:6)

Gospel-reggae

The Measure of a Father (Psalm 103:13)

The Measure of a Father (Psalm 103:13)

gospel, reggae, cinematic

Power on Its Knees (Mark 10:42–45)

Power on Its Knees (Mark 10:42–45)

gospel-reggae, reggae-metal

A Good Man Remains (Psalm 112:5–7)

A Good Man Remains (Psalm 112:5–7)

W.O.R.D. with layered male baritone, tenor, female alto and soprano, rich gospel counterpoint, call-and-response, melodic rap, and close four-part harmony; near-a-cappella scripture opening, stripped

The Shade He Planted (Proverbs 13:22)

The Shade He Planted (Proverbs 13:22)

Gospel, Reggae, Ballad

She Was Just Not Into Me

She Was Just Not Into Me

folk-rock, Americana, ballad

The More You Left

The More You Left

country soul, country

Couples Therapy

Couples Therapy

Country soul, Americana, ballad

No Space for Healing

No Space for Healing

Country soul, Americana, ballad

Gaslights for Street Lights

Gaslights for Street Lights

Country soul

White Knuckles

White Knuckles

Country soul

The Weight of a Pen

The Weight of a Pen

Country soul, Americana, ballad

The Ultimatum I Never Gave

The Ultimatum I Never Gave

Country soul, Americana, ballad